Since news of skaters' music choices for the upcoming Olympic season has started to hit the presses, the prevalent theme of such music choices has not quite been La La Land to the extent I'd expected, but rather recycling--that is, re-using previously-done programs and/or music. For example, off the top of my head:
- Yuzuru Hanyu is re-using his Chopin's Ballade No. 1 SP and Seimei LP*
- Duhamel/Radford are recycling their old Muse LP
- Shoma Uno is returning to his Turandot LP
- Mirai Nagasu is re-using her Chopin's Nocturne No. 20 in C Sharp Minor SP
- Elena Radionova is repurposing her Porgy and Bess SP
- Ashley Wagner is recycling her Hip Hip Chin Chin SP
- Polina Tsurskaya is re-using her Light of the Seven SP
- Alina Zagitova is returning to her Don Quixote LP
- Javier Fernandez is reusing Chaplin music for one of his programs,
- . . . and so on.
As noted previously, skaters generally eschew avant-garde artistic concepts or groundbreaking music choices during the Olympic season. The stakes are just too high, given that the chance for a coveted Olympic spot--much less an Olympic medal!--inconveniently only comes around once every four years. Moreover, the temptation to return to a previously-successful music choice is understandably quite strong in light of the rather conservative figure skating judging establishment, which seemingly never tires of yet another Carmen or Phantom of the Opera program.




